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Eros in Art- Have We Lost the Knack?

O.K., so we can build giant kitsch monstrosities resembling household objects and that's really kooky and yes, there's been a lot of eroticism in 70's and 80's galleries but eros in art has never been a fashion phase. And I'm not saying that we should use sex in art to be more shocking or to make the work more punchy but to experience art that has an element of eros about it, and done well is second to none. Sure, there's been periods in history where such content was absent in art, like the Dark Ages, times where it was forbidden. Our censorship laws at the moment are generously relaxed and most artwork that `contains nudity' these days usually has something to do with the boundaries of moral controversy. Art for its own sake will claim gratuitousness but we don't even need to go back 100 years to witness art that's full of passion, maybe a little erotic but not necessarily graphic. Look at Rodin's sculpture, almost all of it, or Degas' private images of ballet dancers or women bathing , there's an automatically recognisable sense of beauty about them, without objectively being about sex. Has the recent influx of porn in our lives alleviated our interest for eros in other areas like art? Ancient Roman art, Renaissance art or even Baroque are all evident of producing erotic works and I won't be told that it's just the conservative times we're living in that have seen the flame of our passion wane. It's possibly an intellect thing, a mind thing- it's a premeditated concept as an attribute of the art piece anyway. Our remedy may lie in remembering the past, not out of nostalgia but in purusing its successes. And eros is a state of mind too.








rodin sculpture
Rodin sculpture from rodin museum in Paris
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4 Comments. [ Add A Comment ]
1. November 17th 2006 @ 04:17. Lilla Says:
Hi MatthewB,

I agree with you and really enjoyed this post. Art is not art without Eros, it's mental chatter and doesn't leave me feeling "whole"... just tired...I don't visit the art galleries as much as I used to because of this fact... everything is juxtaposed and cubed and squared... but that's what happened I guess when they invented the camera...blew all the artists away... however, it may go full circle yet, when people are sick of looking at triangles and kindergarten faces...I guess I'm old fashioned...

Lilla...
2. November 23rd 2006 @ 05:49. MatthewB Says:
It's true, we need exposure to much that previous eras of art were so innovative at making us feel impassioned about. I can't describe the feeling I had walking through the Louvre, mind and heart enflamed, looking at some of the most incredibly beautiful icons of previous eras of art-making. Some of the things I saw in the flesh for the first time almost brought a tear to my eye- not for love of the past but for the sheer brilliance inherent in these masterpieces, beauty so eloquently expressed that the works were on fire for their strength of aesthetic virtuosity. The passion these works evoked was [B]insane[/B], they really were objectively beautiful, and it wasn't just my impression, others in my tour thought so too. The ability for art to evoke such feelings has lessened in comparison to the extent that it used to historically. OK, maybe things were really pumping back in the Renaisssance, this calibre of creativity was popular, fashionable, possible, an everyday event, they didn't have tv's or stereos. But I don't think it's that relative, it's a matter of choice- there is beautiful art of this calibre being made today, but in comparison, things aren't swingin' like they used to.
3. November 27th 2006 @ 06:02. Lilla Says:
...ain't that the truth! I think political correctness has much to do with it and perhaps that they don't load those early day coke-fountains with real-coke anymore perhaps... caffeine is not a good drung for art... I believe it's restrictive and dulls the brains ability to appreciate colour as it constricts the blood vessels in the head itself...

I have found that burning good quality Sage can enhance my appreication and use of colour... not that I've been doing a lot with colour recently as I embarked on some iconic Egyptian painting of my own, messing about with perfecting the back wash technique to mimmick papyrus paper... the designs on top of Kings, gods and Queens could not be considered erotic and yet strangely so... hmm another thing altogether really... but I've enjoyed the two year experiment and produced some interesting 'work.'

Tell me MatthewB does your course just teach you to appreicate and recognise art, for example, for evaluation purposes... or or are you learning to draw and paint it yourself also...?

Lilla...
4. December 6th 2006 @ 19:32. MatthewB Says:
Not for evaluation purposes exclusively, it's a fine art course for artists who wish to learn practical technique. It's an old technical training college for chefs, fashion designers and artists. They still employ this hands-on approach, even though it's a degree award now. We're being closed down because of this. Our weekly study timetable is based on the early 20th centuiry german Bauhaus school programme. We're expected to produce the week's work during class time at school with the opportunity of tecnical one-on one support and advice from the teaching staff. Classes are basically 9-5, 5 days a week plus self-directed own-time study and preparation. Unlike the bauhaus school though, we don't live on campus. I really believe in the school's ethos and like it's approach which is why I chose to go there. It's got a strong drawing-based ideology.I'm majoring in sculpture and I've got one more year to go ! The prevalent emphasis in my work is the figure. I took painting classes as a minor studio this year. Egyptian art is fascinating, I recently visited the Louvre and the Egyptian exhibits were awesome. They had a powerful sense of design about them. I took heaps of photographs. Beautiful aesthetics, exotic colours. I'd love to see your paintings, the sage-inspired ones in particular. Cheers to alternative enhancements.
M
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